
Well, it’s that time of year again. We get to discuss the good, the bad, and the ugly of the past year. Right now we’ll run through our top songs of 2018… While this is Alt Columnist, we can’t deny there were some true bops in every genre this year. There’s a bit of everything on this list, from rock to indie to pop punk to singer/songwriter to R&B to electropop. So strap in and enjoy!
Best Songs of 2018
- “Bulletproof” by DALES
- “Bad Girls Don’t Cry” by The Night Game
- “Enough” by Speak Low If You Speak Love
- “Surveillance” by George Ogilvie
- “Growing” by Blue Heaven
- “Drive” by Pale Waves
- “If You’re Over Me” by Years & Years
- “Magnetic” by Phillip Phillips
- “Topanga Lawrence” by Charmer
- “Cool Out” by Imagine Dragons
- “Good Kisser” by Lake Street Dive
- “Pacific Kiss” by MILKK
- “Again” by Kehlani
- “Bullet For Your Sweetheart” by Make Out Monday
- “Bad Machine” by Boston Manor
- “take you home” by slenderbodies
- “Sister Cities” by The Wonder Years
- “Daydream” by The XCERTS
- “My Life” by The Vamps & New Hope Club
- “Haircut” by Ryan Beatty
- “Lash Out” by Alice Merton
- “Swim” by Fickle Friends
- “Why” by Shawn Mendes
- “Babe, Can I Call?” by The Hunna
- “all the kids are depressed” by Jeremy Zucker
- “Blonde” by Waterparks
- “I Always Wanna Die (Sometimes)” by The 1975
- “Sky Full of Song” by Florence + the Machine
- “Just Like That” by The Aces
- “James Dean” by The Wrecks
- “Taking Me Back” by LANY
- “Voices” by Against the Current
- “Hair Too Long” by The Vamps
- “My My My!” by Troye Sivan
- “Villains” by Mainland
- “Moving Along” by 5 Seconds of Summer
- “Misty Mae” by Georgia Fearn
- “Malibu Nights” by LANY
- “Before the Sun Goes Down” by The New Respects
- “Mariners Apartment Complex” by Lana Del Rey
- “Heaven’s Gate” by Fall Out Boy
- “You Can Count On Me” by Trophy Eyes
- “The Overpass” by Panic! at the Disco
- “stop and stare” by joan
- “Mad Love” by Honest Men
- “Youngblood” by 5 Seconds of Summer
- “That Something” by With Confidence
- “Daphne Blue” by The Band Camino
- “Heat Wave” by Snail Mail
- “Jumpsuit” by twenty one pilots
- “Not Warriors” by Waterparks
- “Powerslide” by Ryan Beatty
- “Best Friend” by 5 Seconds of Summer
- “Brooklyn” by Fickle Friends
- “Lovely” by Pinkish Blu
- “Revolution” by The Wrecks
- “Hunger” by Florence + the Machine
- “Lake Effect Kid” by Fall Out Boy
- “Midnight” by 5 Seconds of Summer
- “Empty Cups” by Charlie Puth
- “Thick and Thin” by LANY
- “Lovin’ Is Bible” by The Aces
- “In My Blood” by Shawn Mendes
- “Love It If We Made It” by The 1975
- “Babylon” by 5 Seconds of Summer
Yeah, I’m surprised too. I’m not going to explain every song on this list, but let’s go through a handful of my favorites.
“I Always Wanna Die (Sometimes)” is basically if The 1975 made a late ’90s Third Eye Blind song… and it somehow works.
“Bullet For Your Sweetheart” by Make Out Monday is reminiscent of Fall Out Boy’s From Under the Cork Tree, lyrically and musically, which is a welcomed sound.
Speaking of Fall Out Boy, while I consider MANIA to be their most unsatisfactory project to date, “Heaven’s Gate” surprised me with its soulful melodies and organic instrumentation, seemingly harking back to the Folie á Deux era of their career.
Similarly, Panic! at the Disco’s Pray For the Wicked was a disappointing release, but “The Overpass” provided some punch, rhythm, and excitement with gutsy horns, racing percussion, and soaring choruses.
“stop and stare” by joan is an ’80s-inspired indie pop rock jam with warm synths, ethereal atmosphere, and a stellar guitar solo.
“Daphne Blue” by The Band Camino is an undeniable summertime anthem, perfect for a windows-down, volume-up drive.
“Powerslide” by Ryan Beatty is another tune for the summertime, but much more chill and smooth and, uh, suggestive, bound to get stuck in your head with its bouncy melodies and vocal harmonies.
“Lovely” by Pinkish Blu delivers a hazy indie rock vibe through nicely reverb-laden guitar timbres and poignant lyricism.
Fall Out Boy originally released a demo of “Lake Effect Kid” on their 2008 Welcome to the New Administration mixtape, but the song finally got its rightful studio version released this year, a decade later, as a love letter to the band’s hometown of Chicago. This is the Fall Out Boy we’ve been missing.
“Midnight” by 5 Seconds of Summer was released as a Japanese bonus track on their latest effort Youngblood, but it’s easily one of the best songs from the record. (Although, as you can tell from their numbers of entries on our list, it’s fairly difficult to say there were many inferior songs on the album to begin with.) “Midnight” is a sultry plea for a deeper relationship with a paramour who only gives their love after midnight, but the tune is so anthemic and gargantuan that the tremendous choruses and celestial atmosphere nearly eclipse the subject matter.
“Empty Cups” by Charlie Puth is a rather similar song, begging a lover to stay, but with more groove and allure… and more scandalous in regards to cheating.
LANY’s “Thick and Thin” employs tasteful simplicity and heartfelt lyrics to craft a refined, exquisitely minimalistic tune deserving of repeated listens and shouted singalongs.
“Lovin’ Is Bible” by The Aces is a fabulous ’80s-influenced tune with some real character. The chorus is undeniably catchy, and the guitar riffs are absolute earcandy.
“Love It If We Made It” by The 1975 is a desperate yet hopeful survey of our world’s current sociopolitical state, and while it is quite anxiety-inducing, it is one of the band’s strongest works to date.
Speaking of anxiety, “In My Blood” by Shawn Mendes is an empowering cry for help, a portrait of persevering through mental health struggles and general challenges of life. Shawn Mendes surprised us with this Kings of Leon-inspired pop rock song, and it’s brought me to tears on multiple occasions.
“Babylon” by 5 Seconds of Summer is a ripping pop rock anthem, characterized by colossal guitar melodies and sky-high choruses. Calum Hood’s moment to shine is an ultimately defining moment for the Aussie band.
That’s our list! Let us know your favorite tunes of the year in the comments down below or tweet at us on Twitter. @AltColumnist
Plenty of great records were released in June, so here are our favorite albums, EPs, and singles of the month! (In no particular order.) Want a Spotify playlist?
After nearly three years, 5SOS recrudesces to deliver their most experimental and mature record yet. Youngblood is expertly characterized by moody guitar melodies, pensive atmosphere, and stellar vocal performances contributed by all members of the band. Standout tracks include
At the age of 18, Lindsey Jordan unleashes her debut record Lush, defined by the charming contrast of raucous distorted and smoothly crisp guitar timbres as well as heartfelt lyricism. The earnest verses are ultimately complemented by Jordan’s ardent and undoubtedly commendable vocal displays. Standout tracks include
Florence Welch provides her most personal and vulnerable material to date on Florence + the Machine’s fourth studio album High As Hope. High As Hope is outlined by organic instrumentation, luscious background vocals, and the powerhouse delivery of Welch, but the most compelling aspect of this release is her raw, emotional exposition. Standout tracks include
State Champs returns on their third studio LP Living Proof, offering up sticky hooks and hard-hitting guitar tones while maintaining their credibility in the modern pop punk scene. With singalong choruses, fast-paced percussion, and syrupy vocal harmonies, Living Proof is an exhilarating summer record begging for countless replays. Standout tracks include
For their sixth studio full-length, Mayday Parade explores tales of heartbreak and emotion while continuing their exceptional rock timbre… and employing the classic unreasonably long song title tactic. Standout tracks include
Josh Tillman exerts his most gut-wrenching songwriting on his fourth long-player God’s Favorite Customer. Between mentions of suicide, marital struggles, and religion, God’s Favorite Customer is a poignant yet mandatory slice of folky singer/songwriter pop. Standout tracks include
After internal issues and lineup changes within the band, Ghost presents an epic, theatrical rock/metal record, constituted by holy grandiosity and nuanced technicality. With spectacular musicianship and riveting libretto, Prequelle is an undeniable masterpiece. Standout tracks include
Through shimmery guitar riffs, fervent vocal performances, and intimate lyricism, Blue Heaven’s debut studio record, aptly titled Volume One, is an album worth turning the volume all the way up for. The dreamy sound of Volume One is hypnotic and entrancing, bound to keep you coming back for repeated listens. Standout tracks include
After a string of EPs and singles, Homesafe finally issues their debut full-length titled One. Homesafe, the side project of Knuckle Puck bassist Ryan Rumchaks, delivers an animated pop punk record filled to the brim with pulse-quickening drumming, shredding guitars, and rampant energy. Standout tracks include
After the inconsistent Death of a Bachelor, Brendon Urie returns on Pray For the Wicked, another over-polished, squeaky clean pop record with frustratingly thin instrumentation, painfully braggadocious lyricism, and overall messy writing. Standout tracks include
MORE GREAT ALBUMS
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A lot of great albums were released in May, so here are our favorite records of the month! (In no particular order.) Want a Spotify playlist?
After issuing a handful of sparkling indie blues rock albums, Lake Street Dive releases another fantastic addition to their victory streak with Free Yourself Up, characterized by soulful vocals and tastefully rough-around-the-edges instrumentals. Standout tracks include
For their sixth studio record, Arctic Monkeys steps out of their traditional wheelhouse for a lounge-y, nonchalant smooth rock timbre with Tranquility Base Hotel & Casino, seasoned with prickly guitar melodies and psychedelic vocal delivery. Standout tracks include
In an era where most popular rock bands aim for a more poppy, mainstream radio-friendly sound, Shinedown turns the other direction and unleashes a ripping, hard-hitting, pure rock record with soaring choruses and granular guitar riffs. Standout tracks include
Parquet Courts’ seventh studio record Wide Awake! is nothing short of a dream. With funky melodies, nuanced synths and effects, and a sense of urgency, Wide Awake! will shake you right awake with the first listen. Standout tracks include
Six years after their previous full-length Threads, Now, Now returns with Saved, a record that cements their indie rock style through playful tunes like “SGL” and moodier moments like “Can’t Help Myself.” The amalgamation of emo-tinged alt-rock and smooth synth pop makes for a delectable and endlessly replayable album. Standout tracks include
courtship.’s debut LP Denial in Paradise is an undeniably fabulous indie pop slice of paradise for the summer. The cascading guitar melodies and glistening synths combine with the unique percussion and hypnotic vocal performances to craft a breezy, sunny record worth countless listens. Standout tracks include
CHVRCHES recrudesces with another dazzling indie pop full-length on Love Is Dead. Between scintillating synth lines and anthemic refrains, Love Is Dead also provides social commentary, self-reflection, and underlying angst to tie the explosive package altogether. Standout tracks include
Aptly titled 7, Beach House’s seventh record is a hazy listen defined by surging walls of reverb and foggy atmosphere, complemented by meditative lyricism to make for a dreamy indie rock/pop album perfect for a lazy summer afternoon. Standout tracks include
MORE GREAT ALBUMS
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