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Q2 & Q3 2020 Alt Col Picks – Taylor Swift, The Aces, Neon Trees, and More

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Oh, hey! Yes, Monthly Picks still exists. Except this time it’s for Q2 and Q3 (second and third quarters of the calendar year). I haven’t talked about many new releases this year, so here are some of my favorite albums, EPs, and singles that I think you oughtta check out. Let’s jump into it!

  • Taylor Swift – folklore

Taylor Swift unleashed the best record of her career as a mid-July surprise, and it immediately swept critics and fans alike off their feet. Taylor retreats to her guitar-playing roots with an almost folk album, tugging at the heartstrings with lyrics that read like a diary. With minimalistic production, candid lines, and cultivated vocals, folklore is without a doubt Taylor’s shining moment. Standout tracks include “august,” “seven,” “peace,” and “this is me trying.” folklore will appeal to fans of Bon Iver, The Civil Wars, and Julie Byrne. Click here to listen.

  • All Time Low – Wake Up, Sunshine

Wake Up, Sunshine has been received as a return to form for the pop punk veterans All Time Low. 2017’s Last Young Renegade was quite the departure from the band’s trademark rock style, but Wake Up, Sunshine reels it back in and better than we could’ve expected. This album is what a solid pop punk LP should sound like in 2020, and it’s nice to have the boys from Baltimore back. Standout tracks include “Safe,” “January Gloom,” “Clumsy,” and “Basement Noise.” Wake Up, Sunshine will attract listeners of State Champs, blink-182, and 7 Minutes In Heaven. Click here to listen.

  • The Aces – Under My Influence

Under My Influence, the most recent LP from The Aces, is the opposite of a sophomore slump. This triumphant record displays the Utah band expanding their sound and trying out new styles with it rather than sticking with the same old, same old or switching things up entirely. This more refined approach certainly offers up some ’80s-inspired pop rock bangers you don’t want to miss. Standout tracks include “Kelly,” “Daydream,” “Not Enough,” and “Can You Do.” Under My Influence is sure to capture fans of Fickle Friends, Scavenger Hunt, and Neon Trees. Click here to listen.

  • The Magic Gang – Death of the Party

Looking for some indie rock that isn’t watered down or boring? Here’s your album. UK band The Magic Gang’s second LP Death of the Party is a refreshing release and another great hit in the group’s discography. Buoyant guitar riffs, catchy choruses, and bright horn sections dominate Death of the Party, as well as thought-provoking lyricism. Standout tracks include “Make A Sound,” “Death of the Party,” “I Am Sunshine,” and “Make Time For Change.” Death of the Party is bound to satisfy followers of The Vaccines, Lady Legs, and Driver Friendly. Click here to listen.

  • Neon Trees – I Can Feel You Forgetting Me

No, Neon Trees, we haven’t forgotten about you and we missed you so damn much. Six years after their last full-length Pop Psychology, Neon Trees finally return with their latest record. Filled to the brim with gleaming synths, syrupy hooks, and heartfelt lyrics, I Can Feel You Forgetting Me is a melancholic yet joyous mixture of spirited indie pop and soulful songwriting. Standout tracks include “Mess Me Up,” “Everything Is Killing Me,” “Nights,” and “Going Through Something.” I Can Feel You Forgetting Me will please fans of The Aces, MOBS, and Twin XL. Click here to listen.

  • Charlie Barnes – Last Night’s Glitter

Gentle plucking of an acoustic guitar and tastefully ardent vocals characterize Charlie Barnes’ latest LP Last Night’s Glitter. This most recent outing is primarily a redux of Charlie’s past tunes, transitioning them from piano ballads or upbeat indie pop songs to stripped-down acoustic schlepping and operatic voice performances. Standout tracks include “The Weather,” “All I Have,” “Last Night’s Glitter,” and “Ruins.” Last Night’s Glitter will attract followers of Chris Dupont, Sean McConnell, and Ralph Pelleymounter. Click here to listen.

MORE GREAT ALBUMS

  • Lady Legs – Off Days

Breezy indie rock begging for replays. Standout tracks include “Idle Hands,” “Quit Bringing Me Down,” and “Not Right.” Off Days is for fans of The Magic Gang, Steppes, and LEDGES. Click here to listen.

  • Movements – No Good Left To Give

Another gut-wrenching outing filled with impassioned vocal performances and ripping guitars. Standout tracks include “Skin To Skin,” “Don’t Give Up Your Ghost,” and “Moonlight Lines.” No Good Left To Give is for fans of Citizen, Turnover, and La Dispute. Click here to listen.

  • Vistas – Everything Changes In the End

Upbeat indie pop rock that’ll make you feel at least five years younger … in a good way. Standout tracks include “November,” “Retrospect,” and “Tigerblood.” Everything Changes In the End is for fans of Sports Team, Bleachers, and Walk the Moon. Click here to listen.

  • Hayley Williams – Petals For Armor

The pensive singer/songwriter solo project from Paramore’s frontwoman. Standout tracks include “Cinnamon,” “Leave It Alone,” and “Crystal Clear.” Petals For Armor is for fans of Soccer Mommy, Maggie Rogers, and Julien Baker. Click here to listen.

  • Stand Atlantic – Pink Elephant

Solid pop punk with strong vocals and catchy riffs. Standout tracks include “Wavelength,” “Blurry,” and “Like That.” Pink Elephant is for fans of Seaway, With Confidence, and State Champs. Click here to listen.

  • A. Swayze & The Ghosts – Paid Salvation

Rowdy, punk-tinged garage rock. Standout tracks include “Nothing Left to Do,” “Mess of Me,” and “Connect to Consume.” Paid Salvation is for fans of WAAX, Bad//Dreams, and White Blanks. Click here to listen.

  • PVRIS – Use Me

Tasteful amalgam of electronics, acoustic guitars, and layered vocals. Standout tracks include “Dead Weight,” “Loveless,” and “Death of Me.” Use Me is for fans of Deaf Havana, Maggie Lindemann, and Emarosa. Click here to listen.

  • IDLES – Ultra Mono

Dude, it’s IDLES. Standout tracks include “The Lover,” “Model Village,” and “Mr. Motivator.” Ultra Mono is for fans of Protomartyr, Girl Band, and Heavy Lungs. Click here to listen.

 

Extended Plays

  • Pinkish Blu – there’s no such thing as good people

Best EP you’ll hear all year. Standout tracks include “Calm Down” and “Red Hot Moon.” there’s no such thing as good people is for fans of LANY, Heart of Gold, and MILKK. Click here to listen.

  • Troye Sivan – In A Dream

Standout tracks include “Rager teenager!” and “Take Yourself Home.” In A Dream is for fans of Ruel, Years & Years, and Lorde. Click here to listen.

  • Go For Gold – Color Me

It’s pop punk. Standout tracks include “Forget About It” and “Tone.” Color Me is for fans of Neck Deep, Gold Steps, and The Story So Far. Click here to listen.

  • Day Wave – Crush

Standout tracks include “Potions” and “Starting Again.” Crush is for fans of Surf Rock Is Dead, Craft Spells, and Plastic Picnic. Click here to listen.

  • American Authors – Counting Down

Standout tracks include “Sky’s the Limit” and “Counting Down.” Counting Down is for fans of The Mowgli’s, Colony House, and The Griswolds. Click here to listen.

  • Bears In Trees – I Want To Feel Chaotic

Standout tracks include “Permanence” and “Cobwebs.” I Want To Feel Chaotic is for fans of spookyghostboy, McCafferty, and Beach Bunny. Click here to listen.

  • Until We Get Caught – Surface

A splendid maturation of sound. Standout tracks include “Fading Out” and “Ghost.” Surface is for fans of Outwaves, Bring Me the Horizon, and A War Within. Click here to listen.

  • hellocentral – HEATWAVE

Standout tracks include “Lsof” and “One More Sunrise.” HEATWAVE is for fans of A Will Away, Less Than Jake, and Oh, Weatherly. (I think?) Click here to listen.

 

Featured Singles

Dream Jacuzzi hits another homerun with this single, filled with up-tempo guitar strumming, hazy vocals, and playful percussion. Most notable may be the striking guitar solo or the personal yet relatable lyrics.

Chance’s most recent LP portraits was crowned our best album of 2019, and after a string of solid singles, “Bad To Myself” is an empowering and emotional catharsis as Chance explores his recovery from anorexia.

For the first time, Local Natives has an EP on the horizon, and its lead single “Statues In the Garden (Arras)” is a chill, mellow contemplation contrasted with sweet melodies and soaring backing vocals.

Dan Burke, former lead vocalist of Off the Record, hits the ground running with his newest project. Among his first few singles, “flights” is a heartfelt yearning that sets the tone for this band’s direction.

The debut solo single from 5 Seconds of Summer’s Ashton Irwin is a reflective look into Irwin’s personal struggles with body dysmorphia, delivered via an acoustic ballad void of his signature instruments: drums.

The Vamps kick off their new LP with the lead single “Married In Vegas,” a jaunty pop rock tune charged to the brim with sky-high vocal peaks, dashing piano melodies, and spirited percussion.

Blake’s farthest step into an acoustic folk direction is a shining ballad characterized by vivid lyrics that are as painful as they are beautiful.

Bastille’s “survivin'” is a breezy reflection on the band’s career thus far and a testament to their resilience, as well as their openness to explore new styles and sounds.

Let us know what you think of Q2 and Q3’s releases down in the comments below!

Our Alt Col Picks are curated lists of the best albums and EPs for each month! We keep a schedule of upcoming releases and pick our favorite ones at the end of the month, giving them a spotlight here and on Twitter. To be featured in one of our lists, hit us up on our contact page or Twitter, though nothing is guaranteed. (We occasionally include past releases, so for instance, if your album came out in June, we might be able to feature it in our post for July or August.)

Spotlight: Dream Jacuzzi’s Stunning New Single “Rollercoaster”

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Birmingham, AL, natives Dream Jacuzzi are gearing up for the release of their debut album Lemon Hazy Nights, due December 4th. The band has been consistently dropping singles since 2019 after the release of their first EP Out With the Moon. Since that EP was unveiled, they’ve added new members to their lineup, officially signed on with Red Knuckle Records, and experimented with some new sounds.

The newest single “Rollercoaster” (Oct. 23) is a testament to that stylistic exploration, and it might just be Dream Jacuzzi’s strongest single to date. Strap in and enjoy the ride as a filtered intro culminates into the chorus to kick off the tune. The catchy hook is instantly infectious, and a pulsating bassline persists all throughout the song. Punchy percussion, scintillating synthesizers, and ethereal background vocals immediately consummate an expansive atmosphere and unique musicality reminiscent of records like The Sounds’ 2013 album Weekend or Thumpers’ 2014 debut Galore.

Drawing some inspiration from pop rock of the ’70s and ’80s, “Rollercoaster” is certainly a cultivated amalgamation of synths, tight guitar melodies, and sublimely reverb-infused vocal harmonies. During the second verse, a glissando-tinged guitar line emulates the ups and downs of a rollercoaster, sliding from one octave to the other. The whirlwind of a song closes out with one final chorus, which greets the listener with robotic-esque vocal effects and a zenith point of every cog in the band’s machine blissfully melding together.

The band’s chemistry is undeniable, being comprised of brothers Lucas and Rhett Jackson and long-time friend Josh Pastor. With six singles and an EP under the band’s belt, Dream Jacuzzi is ready to make the huge splash they deserve, and “Rollercoaster” is undoubtedly a superb display of what this young, talented group is capable of. This latest single will interest fans of Atlas Genius, Smallpools, Summer Camp, and Jukebox the Ghost. Click here to pre-save “Rollercoaster” on Spotify!

Listen to Dream Jacuzzi here:

Rachel Wurstner, Alt Col administrator, graduated from the University of Chicago with a master’s degree in creative writing and currently works as a small-town journalist.

Bastille’s “Helter Skelter” Moment? “WHAT YOU GONNA DO???” Track Review

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British indie pop band Bastille just unleashed their newest single “WHAT YOU GONNA DO???,” stylized in all caps with three question marks to, you know, really give you that ~edgy~ feel. This latest song sets many firsts for the group: the tune is arguably Bastille’s most rowdy, punk-inspired anthem to date with a little help from Blur’s Graham Coxon on guitar and vocals; it’s their first song in the key of G major, which is notable considering frontman Dan Smith continually claims that the majority of their discography is “depressing;” it’s the band’s shortest single; and it supposedly features Smith’s highest note that he has achieved with his full chest voice on a studio recording (a G4, in case you’re wondering).

With the intent of making a rock track for the sake of being in your face and as loud as possible, this is relatively Bastille’s “Helter Skelter” outing, albeit much more brief (and of course not comparable to The Fab Four). But although this is the band’s largest step into rock territory, “WHAT YOU GONNA DO???” still has its shortcomings in other aspects.

Lyrically, the tune is nothing new in Bastille’s catalog. It primarily revolves around people being glued to their phones and how the media has the power to influence us because they’ve “got us listening.” These sentiments hearken back to earlier tracks like “Doom Days” or “Power” or “Blame” or “World Gone Mad” or “Million Pieces” or really any other song that tries to offer social commentary in some way since the lyrics are rather broad and widespread (like most of their repertoire). While it’s an important message, Dan Smith seems to have wrung it out dry on paper one too many times. How is this any poetic progression from their last record Doom Days? “WHAT YOU GONNA DO???” merely encapsulates half of the ideas presented on its full-length predecessor, causing it to feel trite and overdone.

Musically, “WHAT YOU GONNA DO???” is something fresh and new but only to an extent. Sure, this is Bastille’s most all-around rock song to date, though one could argue that their “heaviest” tunes come in the form of “The Draw” or even their blander indie rock efforts like “Blame” or “Warmth.” (I am a fan of Bastille, but you must admit that they weren’t really blazing any new trails sonically with 2016’s Wild World. It’s a solid LP, but it wasn’t a groundbreaking new sound in the alternative scene.) “WHAT YOU GONNA DO???” also missed a wonderful opportunity to display a guitar solo from Graham Coxon. It would have perfectly sufficed as a bridge section and allowed the group to squeeze in one more chorus repetition before the end. But instead, they cut the tune short at 2 minutes and 11 seconds after just two go-arounds of the verse-chorus dynamic.

On a positive note, “WHAT YOU GONNA DO???” does give us a glimpse at what may be to come on the band’s next record. While this lead single may have fallen short on a few fronts, it indeed showcases what Bastille is capable of and what direction they might be moving in next. It’s a catchy pop rock rager, meant to feel aggressive and fast-paced. I can’t dock the band too much since they did achieve what they set out to do. I just believe they could have pushed the envelope even farther. (Perhaps my standards are a bit high because Bastille is one of my favorite bands.)

Let me know what you think about the new single down in the comments below, and if you’re a fan of Bastille, I post lots of Bastille-related content over on Reddit if you’d like to check it out!