Exclusive Interview: Alyssa Fouts on New Single “Nineteen.”

Alyssa Fouts, whose YouTube channel is scraping 25k subscribers, has released her first official single, and it sure is a sweet debut. If you were to combine the sound of Taylor Swift, Sabrina Carpenter, Hayley Kiyoko, and Conan Gray, with a dazzling dash of primary colors, the outcome would probably be Alyssa’s new song “Nineteen.” So we decided to sit down and ask the primary princess about her initial tune.


Alt Col: Just want to start out with a seemingly primordial question: Who are your biggest musical influences? Lyrically, sonically, aesthetically, etc. Do you think listeners will be able to pick up on those inspirations in your new single?
Alyssa Fouts: To be quite honest with you, the artists that influenced this song in particular are not what I genuinely thought they’d be if that makes sense. Like, I feel that a lot of the artists that I usually listen to are more alternative and are branches off of rock music. And there are two reasons why the song kind of just sounds the way it does. First off, I was going through my first ever breakup so what I was listening to was all these female-led, empowering, slightly angry pop songs. Everything from Hailee Steinfeld and Sabrina Carpenter to Little Mix and Taylor Swift. These were all incredibly influential artists for the sound of “Nineteen.” and you can definitely hear their vibes in the track. But also, I think my sound has always been of this “pop princess” type. I’ve always thought I was more of an “edgier” girl, which is slightly cringey but very true. This is the first song I’ve ever written, and initially I thought it sounded the way it did because of all the music I had been listening to at the time. But as I started writing more, all the songs (all very much my own sound) were fitting into that pop realm. I think it’s pretty damn cool, but I think I really did just surprised myself.

Alt Col: Totally understand. Do you think in the future you might move into a more rock-infused sound or possibly incorporate some of that “edginess” into your current pop tone?
Alyssa Fouts: Here’s the thing with “Nineteen.” This song initially was only ever materialized for my own closure. From the beginning, I never really intended on having this be a launchpad for a music career. I wrote this as a poem at first. But then after messing around with it, it turned into a song, and I guess I was subconsciously thinking that if it were to become a full-blown thing then maybe I can get that final ending or good-bye or whatever it was that I felt I needed through that. So I did that. As far as it goes for future music, I would love to release more. One hundred percent. But I think for right now, I’m going to see how time treats me. And of course sound-wise, don’t let my pink hair and black ripped jeans fool you. I love alternative music, but there will always be a romantic idealist trapped in here with a love for Carly Rae Jepsen and tiaras. But who knows? One day, I’ll have evolved and decided to create the most edgy song I’ve ever made.

Alt Col: What was the experience like working on a song for the first time? The recording sessions, working with a producer, refining the lyrics, etc.
Alyssa Fouts: So when I reached out to my producer, the song was already completed. I think I had written the entire thing in about an hour, and when it came to polishing it, we had only changed one or two lines and a few words here and there. Something I’ve always been confident in is my writing. I remember, though, one of the first conversations we had was to make the song more relatable and interpretive for the listener. The song itself is very specific to me because everything I wrote actually happened, from the rain during the breakup to the guitar on the first date and his knife collection. Changing it around was something I was very against. Again, this song was for my healing. I was really lucky to have the people I had during this process because they understood and respected my exact vision. My friend Ann helped me record it to send over to my producer Jack. He lives in LA and I live in San Francisco so that was another struggle. We recorded it at the studio in our school, and it was really hard for me at first. It was a month after my birthday, and I had been pretty much over the whole situation for a while then. Digging up those emotions so I could sing it properly was really rough. But I did it! Then we sent it over to Jack, and nine months later, the world now has it. Literally my baby!

 

Alt Col: Did you record any live instrumentation on the track?
Alyssa Fouts: Oh, I tried! But you know, I’m not the best at guitar so that quickly fell through. My king Jack LaFrantz created the instrumental for it as well as produced it. He really is crazy talented.

Alt Col: So do you enjoy being an independent artist or would you be open to accepting a deal with a record label if you want to continue with a music career?
Alyssa Fouts: I’m not really sure yet. This is my first release ever so I’m not quite sure what to expect just yet. But if any labels do reach out, I am definitely down to chat! I think right now, I’m just really playing everything by ear.

Alt Col: Yeah, totally understand. So you’re a very creative individual. You study film and do YouTube and whatnot; what are your future plans in the area of film?
ImageAlyssa Fouts: My major is screenwriting, so ideally I would love to end up in that field, but I’m still figuring my way around! I’ve got a little bit more time before I fully commit, and at the moment, I’m really just enjoying trying everything out. My friends and I shot the “Nineteen.” music video over the weekend, and it just reminded me how much I love the actual filming part of projects. At some point, I wanna do everything!

Alt Col: Definitely. I’m curious to know though: Did you have to scripted-ly record the phone call snippets in the song or were those from the actual phone call?
Alyssa Fouts: They were recorded by my friend Matt and I! In actuality, this kid was kind enough to not dump me over the phone but rather outside my house. Best gift ever!

Alt Col: Was writing “Nineteen.” a good way to process those emotions and work through them?
Alyssa Fouts: Writing it for sure! I’ve always been a person who felt she needed to be strong and couldn’t show her emotions. I was so in denial that I was genuinely sad about the whole situation because I didn’t want to look weak. I mean, breakups are a loss at the end of the day. Putting down the words helped me understand what I was feeling and validate it. I was so used to suppressing how I felt, I forgot what it was like to actually experience and sit in your sadness. Emotions are so powerful, and something I definitely learned from this experience is that even a broken heart can become something really cool.


You can stream/download “Nineteen.” online and check out the music video on YouTube! Give Alyssa a follow on Twitter and Instagram, and subscribe to her YouTube channel to keep up with her content.

If you want to follow Alt Columnist on Twitter, click here! Be sure to leave a comment below and let us know your thoughts on Alyssa’s new single!

10 Most Underrated Imagine Dragons Songs

Imagine Dragons burst onto the mainstream scene in 2012 with their smash hit “Radioactive” and other big singles like “It’s Time,” “Demons,” and “On Top of the World.” Since then, the alt-pop band has consistently been releasing records and scoring more chart-toppers, garnering billions of streams and sales with tunes such as “Believer,” “Natural,” and “Whatever It Takes.” Underneath all these platinum-earning successes, Imagine Dragons has a plethora of pieces in their discography that unfortunately go overlooked. Today we’ll be covering our top 10 most underrated songs by Imagine Dragons, including 10 honorable mentions, spanning the entirety of their career. (If you know me, you know that I haven’t been the biggest fan of the band in recent years, but I certainly enjoyed their debut album and earlier material, so this list might be a bit biased, haha.)

Stick around for honorable mentions at the end!

10. “Tokyo” from It’s Time – EP  (2011)

Before Imagine Dragons signed to a record label, they self-released a few EPs with some songs that never quite made it on their debut album. “Tokyo” happened to fall into this category, and thus it went largely unrecognized by the band’s wider audience. But though it was never placed on an LP, “Tokyo” is still a fun little tune; it’s got a catchy chorus, a fun, danceable beat, and eclectic guitar refrains. “Tokyo” is bound to get stuck in your head, and it’s certainly an underrated track in the band’s catalog.

9. “Destination” from iTunes Session  (2013)

“Destination” is a tune that was released independently by the band, but was only officially released on their iTunes Session EP—no studio recording, just a live acoustic performance. The studio version of this song is fantastic and many fans hoped it would be included on the band’s debut record, but it never was. The fans were blessed with the acoustic version, however, which is just as good as the studio version in my opinion. The down-to-earth, stripped-back attitude really facilitates the sincere lyricism, and the lovely, raw vocal harmonies give the track a campfire sort of vibe. Since it was only officially released on this EP, “Destination” did not receive enough attention in my book.

8. “I Don’t Know Why” from Evolve  (2017)

I’m just going to come out and say it: I genuinely believe “I Don’t Know Why” heavily influenced 5 Seconds of Summer in the making of their hit single “Youngblood.” The hazy ambience, plucky guitar melodies, pounding bass lines, bombastic percussion, and sweeping synthesizers—it’s hard to not agree that the two songs are at least very similar in structure and instrumentation. Unfortunately, “I Don’t Know Why” didn’t climb the charts like “Youngblood” did, and I really don’t know why because it’s probably the best tune on Evolve. Before you take to the comments with your torches and pitchforks, keep in mind that 5SOS is my favorite band and I don’t blame them for taking inspiration from this song.

7. “Only” from Origins  (2018)

Origins was released practically out of nowhere, just a little over a year after Evolve. The band pushed the record by labeling it a “sister album” to Evolve, which makes sense considering their musical similarities, and I can tell that Imagine Dragons probably wanted to milk their 15 minutes of success a little longer. While Origins was indeed a step up from Evolve, it was still relatively underwhelming, but “Only” was definitely a track that stood out to me. The tinny synths are a bit annoying without the proper headphones/speakers, but the vocal melody of the chorus is catchy and memorable, and the interesting percussion timbres give the song some oomph.

6. “Amsterdam” from Night Visions  (2012)

Look, I know what you’re thinking. “This song isn’t underrated because it was released as a promotional single for Night Visions!!” Okay, yeah, but here’s my reasoning for including it on this list. “Amsterdam” was initially released on the It’s Time EP in 2011 and luckily made the cut for the band’s debut. It’s introspective and emotional, filled with apologies and impassioned vocal delivery, as well as some dreamy guitars, backing vocals, and a boisterous “breakdown” of sorts in the bridge. Personally, I think “Amsterdam” should’ve been a bigger hit; it’s quite possibly my favorite tune on Night Visions and has definitely held up over the years. It eclipses the band’s more grandiose anthems like “Radioactive” or “On Top of the World” in terms of lyrical and musical quality, but since it wasn’t as easily marketable for radio and commercials, it didn’t receive its due spotlight.

5. “I Was Me”  (2015)

“I Was Me” was unleashed as a one-off single for the One4 project with all proceeds going to the UN Refugee Agency to support fleeing refugees. The sparse instrumentation coupled with Dan Reynolds’ exposed vocals and emotive lyrics gives this tune a tinge of rawness and sincerity, detailing the struggles of losing your sense of self. However, despite its admirable cause and reflective songwriting, this tender tune is one of the more overlooked singles in the band’s discography.

4. “The River” from It’s Time – EP  (2011)

“The River” was first released on the It’s Time EP in 2011 and then re-released on The Archive EP in 2013… and then re-released again as a bonus track on a reissue of Night Visions. Yet after all these releases, “The River” still hasn’t gained its due recognition. The glistening guitars, misty cymbals, and whimsical vocals coat this track in a daydreamy feel. The lyrics offer a sense of yearning and escapism, and the layered vocal lines in the final chorus complete the song with a dazed feeling. “The River” is one of my personal favorites from Imagine Dragons, definitely deserving of more popularity.

3. “Leave Me” from It’s Time – EP  (2011)

Despite the rather questionable line “You’ve got to get a gun to make a woman run,” “Leave Me” is a stellar guitar-driven rock tune found on the It’s Time EP. The raucous distortion and granular vocal delivery make for a pulse-racing tune that is pure evidence of Imagine Dragons’ roots in the indie rock genre. It’s a shame this song flew under the radar, I would love to hear more like this from the band.

2. “Selene” from Hell and Silence – EP  (2010)

Like “The River,” “Selene” was released on one of the band’s earlier EPs, then released on The Archive EP, and finally released on a reissue of Night Visions. “Selene” first made its appearance on the Hell and Silence EP, published in 2010, and it now holds its place as a bonus track on Imagine Dragons’ debut, so it did garner some publicity. However, in my opinion, it warrants more. “Selene” is another passionate indie rock track with ardent vocals, fervent lyricism, rugged guitar melodies, and soaring synths; something about it conveys such emotion and feeling, you almost feel as though you’re intertwined within the track. It’s compelling and immersive and yet sorely underrated.

1. “Emma” from Hell and Silence – EP  (2010)

Finally, at our top spot is “Emma” taken from the Hell and Silence EP. Other than the fact that both of their titles are the names of women, “Emma” and “Selene” are fairly similar tunes: indie rock with some electronic flair thrown into the mix and poignant lyrics that are destined to suck you in. “Emma” is a scorching slow burn, and the blistering vocal performances in the bridge are suddenly contrasted when the band lightly glides right back into the dreamy chorus. The sense of longing in the lyrics is bolstered by the prolonged synth melody and enchanted guitars, a delectable composition that will have you hitting replay over and over. The simplicity of the lyrics offers even more contrast when paired with Dan Reynolds’ at times soft, at times intense choral delivery. Unfortunately, “Emma” was only featured on Hell and Silence (giving the EP its title, by the way) and never amassed its due attention. Nevertheless, I’ll keep spinning it and vouching for it until my ears get worn out.

Well, there you have it, the most underrated songs by Imagine Dragons! Tweet at us or let us know in the comments below what songs you think are overlooked!


Honorable Mentions: